This aspect should not and cannot be diminished following his departure from this world his sculptures must not be permitted to represent mere relics of a lively process. Few artworks manage to approach the human being as closely as do his, turning reception into participation and sites inhabited by art into lively places. West allays the hesitance, that fear of saying or thinking the wrong thing, that art so often evokes in its audience. The artist thus captured what is quite probably a phenomenon of central significance within contemporary art-and in this respect, he was a pioneer of its subsequent development far beyond the local art scene. ![]() West’s Adaptives and seating furniture were openly conceived, awaiting completion via their reception, application and employment by new counterparts, free from any unconditional insistence on original intentions. His works always found their consummation in the encounter. His art opens up insights into the depth of the surface and the duration of the instant, the significance of which he keenly understood. ![]() ![]() And both life scenarios and human encounters flowed into the intuitive and witty choreographies according to which he proceeded in his artistic work. West had an original way of admitting spontaneous communicative phenomena and constellations into his personal and artistic worlds.
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